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Do you struggle to hit high notes when you sing? Maybe you can technically reach them, but it feels like a gamble—you’re never sure whether your voice will cooperate that day. Or perhaps when you do reach them, they sound thin, strained, or lack control.
The good news: any singer can learn to sing high notes powerfully and effortlessly. The catch? It takes consistent training. But if you’re willing to put in the time, you’ll be rewarded with strong, reliable high notes whenever you need them.
Let’s break down exactly what you need to do.
One of the most common mistakes singers make is focusing only on head voice for high notes. While head voice (or falsetto) can take you high, it will often sound weak and lack stability if your chest voice isn’t equally developed.
Think of it this way: to sing high notes, you also need strong low notes. Building both registers ensures your voice has balance, depth, and flexibility.
Chest voice: This is the voice you use when speaking. Try saying “hey!” out loud and notice how the sound feels resonant in your chest. While the resonance isn’t actually in your chest (all sound is produced in the vocal tract), you’ll feel vibrations there.
Head voice: Try making a light, effortless “whoop!” sound. If it comes out tight, strained, or pressed, you’re likely still using a squeezed chest voice instead of true head voice.
Take note: if your chest voice sounds breathy and weak, or your head voice feels tense and forced, those are signs you need to strengthen those registers separately before tackling high notes.
Once your chest and head voice are developed individually, the next step is to connect them. A strong connection prevents your voice from “breaking” or flipping between registers.
One of the best exercises for this is the glissando (slide):
Start on a comfortable chest note.
Gently slide up through your range until you’re in head voice, then back down.
Keep the tone light, smooth, and even—no pushing, no breathiness.
The goal is a seamless transition without strain. If you feel pressure building in your stomach and throat as you slide higher, you’re pushing too much chest. If the tone turns airy at the top, you’ve disengaged chest voice completely. Aim for balance: light but not breathy, connected but not forced.
Certain sounds make it easier to connect and strengthen your registers.
“Ooh” sound: Great for connecting chest and head voice. It encourages space in the mouth and even airflow.
Lip trills: Helpful if you tend to press your voice, though not ideal for everyone.
“No, no, no”: Once the connection feels stable, move to more open consonant + vowel sounds to build power.
Think of “ooh” as the foundation, and more open sounds like “no” as the way to build strength and projection once the foundation is secure.
After practicing with exercises, transfer the technique into real songs. Start with a piece that challenges you, but isn’t too extreme. Use your “ooh” and “no” sounds as warm-ups, then sing the actual lyrics.
For example, if your song has a difficult high passage, practice it first with “ooh” until it feels easy, then layer the real words back in. This way, you build both muscle memory and confidence.
This might be the hardest part. Singing high notes isn’t about shortcuts—it’s about muscle development, and muscles need repetition.
Practice at least three times per week, ideally every other day.
Daily practice is even better, but always allow for rest if your voice feels tired.
Avoid leaving too many days between sessions; otherwise, your muscles will “forget” the coordination.
Consistency is what transforms weak, unpredictable high notes into powerful, reliable ones.
High notes don’t have to be scary or hit-or-miss. By developing both chest and head voice, connecting them with careful exercises, and practicing consistently, you can build a voice that sings high with ease, strength, and beauty.
Be patient with yourself—progress comes from repetition and balance, not from pushing or forcing. With time, those once-impossible high notes will feel natural, freeing, and expressive.
If you want to take your training further, take a look at my vocal coaching program: 'The Functional Singer - Foundations'
Highly recommended; Jorgelina, the primary singing instructor knows her stuff and really helped guide me through finding my mixed voice.
She has huge amounts of knowledge on the science and theory behind singing and approaches lessons in a very structured but still personalised manner. Very happy with my decision to take lessons here.
I really struggled with the high notes before coming to Jorgelina! She's coached me through so many techniques and although there is so much to learn I feel like I've seen lots of progress already. My confidence has grown massively since joining the group classes too and she encourages performing at every opportunity. I love that Jorgelina takes a holistic approach to singing and understands that it's not just about sounding great, the voice also has strong connections to the body and mind. Thanks Jorgelina!
Bruh. Jorgelina is an awesome singing teacher! Super knowledgable, very engaged and 100% passionate. She's helped me a lot. Her methods and techniques feel organic and natural. She moves at your pace and is super supportive about you achieving your singing goals. Would recommend her to anyone with a vagus nerve (thats everyone btw!).
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